Mostrando entradas con la etiqueta CON ESTILO PROPIO: TIPOGRAFÍA PL6 018. Mostrar todas las entradas
Mostrando entradas con la etiqueta CON ESTILO PROPIO: TIPOGRAFÍA PL6 018. Mostrar todas las entradas

septiembre 29, 2015

Gastrotypographicalassemblage Pizza replica



Nick Sherman | Pizza rules!





«In the 1960s, CBS creative director Lou Dorfsman designed the monumental Gastrotypographicalassemblage, a 35 ft × 8.5 ft wall installation completed in 1966 for the cafeteria of the CBS Building on 52nd Street in Manhattan. The installation celebrates the culinary arts, spelling out food-related words in hand-milled wood typography and lettering. It was removed from CBS in the 1990s but recently was restored and reinstalled at the Culinary Institute of America in Hyde Park, New York. Not surprisingly, the installation features a wonderfully lettered “Pizza” section.



»Earlier this year I commissioned Nick Fasciano to make a replica of the pizza section of the installation with its own casing. Nick is a designer and fabricator who worked on the original installation, rescued it from the trash when it was being removed from CBS, and was instrumental in its restoration and relocation. His replica was made using the same fabrication methods that were used for the original wall.

»Nick finished the replica recently and I could not have asked for a better item to unwrap for the holidays.»







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septiembre 22, 2015

Lou Dorfsman's Gastrotypographicalassemblage at The Culinary Institute of America



The Culinary Institute of America





«For the last 25 years one of the world's largest modern typographic artworks has been hidden away in a basement on Long Island. Now on display for the first time in a quarter of a century, "Gastrotypographicalassemblage"­; is a focal point of The Culinary Institute of America's new Marriott Pavilion and Conference Center in Hyde Park, NY. The creation of legendary CBS Art Director and Designer Lou Dorfsman, the work measures more than 33 feet wide and eight feet tall, and consists of more than 1,650 individual letters spelling out culinary terminology and expressions, as well as 65 food-related objects.

»From 1966 to 1989, Gastrotypographicalassemblage was on display in the staff dining room at CBS Network headquarters in the legendary Black Rock building in Manhattan. There it captured the imaginations of both visitors and employees, but in 1989 the work was removed during a renovation. Without a new home, it was saved from the landfill by designer Nick Fasciano and Lou Dorfsman, who stored the mural for more than two decades while he worked to find it a new venue.

»The artwork was introduced to The Culinary Institute of America by a long-standing member of the Board of Trustees, and the college's leadership determined that the CIA would make a perfect new home for the mural containing 255 culinary words and phrases. Following an extensive restoration, this significant piece of American design history is now on display at college's campus in the Hudson Valley of New York.»






septiembre 15, 2015

The Type Directors Club



The Type Directors Club





«The Type Directors Club is the leading international organization whose purpose is to support excellence in typography, both in print and on screen.

»Founded in 1946 by some of the industry’s leading practitioners, the TDC’s earliest membership included Aaron Burns, Will Burtin, Freeman Craw, Louis Dorfsman, Gene Federico, Edward M. Gottschall, Herb Lubalin, Edward Rondthaler, Bradbury Thompson, and Hermann Zapf. With this solid historical background, the TDC today represents and rewards the best of today’s type design and type use.

»The TDC holds two yearly type competitions: one for the use of type and the letterform in design and the other, typeface design. The winners are reproduced in our Typography Annual, published by Verlag Herman Schmidt, as well as displayed in seven exhibits that travel worldwide. In addition to celebrating outstanding achievements, the typography competitions and resulting annuals serve as important historical records of typographic trends, and are an invaluable resource for both designers and scholars.

»Education has always been an important part of the Type Directors Club’s mission. The TDC began offering lectures in 1947, the second year of the Club’s existence. Called Ten Talks on Type, the lectures were given by James Secrest, Arnold Bank, Gene Ettenberg, Charles Felton, Milton Zudeck, O. Alfred Dickman, Joseph Weiler, Frank Powers, and Hal Zamboni. The series’ success led to it becoming an annual event. In 1958, the Club extended its reach to an international day-long seminar at the Silvermine Artists Guild in New Canaan, Connecticut, which drew 500 attendees.

»In 1959, the TDC ran Typography USA at the Biltmore Hotel in Manhattan. Speakers included Saul Bass, Herbert Bayer, Lester Beall, Will Burtin, Lou Dorfsman, Alvin Eisenmann, Gene Federico, William Golden, Allen Hurlburt, Leo Lionni, Herb Lubalin, Paul Rand, Ladislav Sutnar, and Bradbury Thompson.

»Among the many speakers and teachers in the intervening years have been Aaron Burns, Klaus Schmidt, Ed Gottschall, Tom Carnase, Bruno Brugnatelli, Milton Glaser, Hermann Zapf, Eileen Hedy Schultz, Ed Benguiat, Olaf Leu, Martin Solomon, Günter Gerhard Lange, and Freeman Craw.

»The current lecture and class schedule offered by the TDC continues apace. The Education Committee has been developing course offerings at all levels of proficiency that reflect today’s needs and interests, and the Event Committee continues scheduling monthly Type Salons in our Manhattan space.

»The TDC is the home for typography—a physical meeting place and a strong professional affiliation. We welcome all in advertising, communications, education, marketing, and publishing who have a keen interest in type and the written word: graphic designers, art directors, editors, multimedia professionals, students, and entrepreneurs.»






septiembre 08, 2015

Fonts In Use



Fonts In Use





«Fonts In Use is a public archive of typography indexed by typeface, format, and industry. We document and examine graphic design with the goal of improving typographic literacy and appreciation. An independent archive of typography.

»Made possible by sponsors like Font Bureau, WebType and Mark Simonson.»






septiembre 01, 2015

Symposium Grafica. Primer Encuentro Académico de Investigación enDiseño Gráfico



Blanquerna



Comisión organizadora del Symposium Grafica: Dr. Josep Rom,
Dr. Juan J. Arrausi, Dra. Ana Entenza, Dr. Daniel Tena
i Dra. Elena Bartomeu. (Foto: Blog d'EINA)


«Nos complace invitarle al Symposium Grafica. 2015 “Primer Encuentro Académico de Investigación en Diseño Gráfico” que se celebrará el día 4 de setiembre de 2015 en la sede de la Facultad de Comunicación y Relaciones Internacionales Blanquerna de la Universidad Ramón Llull de Barcelona.

»El Symposium Grafica. 2015 es un encuentro organizado por la revista científica sobre diseño grafico “Grafica” y cuenta con la colaboración de del Grupo de Investigación en Estratégia y Creatividad en Publicidad y Relaciones Públicas de la Universidad Ramon Llull; del Grupo de Investigación en Publicidad y Relaciones Públicas GRP de la Universidad Autónoma de Barcelona; y del Col•legi Professional de Disseny Gràfic de Catalunya.

»Los temas a tratar van a estar alrededor del diseño gráfico, sus ámbitos y límites, su pedagogía y ejercicio, su influencia en los públicos y cualquier aspecto que pueda incidir en su la actividad.

»Está especialmente dirigido a profesores, estudiantes e investigadores del diseño gráfico y es por ello, que le animamos a participar. Podrá hacerlo en calidad de asistente y también, si así lo considera oportuno, en calidad de asistencia con presentación si nos envía su propuesta en cualquiera de las modalidades admitidas: artículo científico o reseña (ponencia / comunicación / presentación en el symposium). Todas las ponencias serán publicadas con la documentación del Symposium. Además, aquellas comunicaciones que superen los criterios de calidad de la revista Grafica serán publicadas en la revista.»






agosto 25, 2015

«¿Qué es la letra para ti?», pregunta Monográfica.org




Responden (por orden de aparición):

Daniel Rodríguez Valero. Diseñador gráfico y profesor

Tomás Gorría. Diseñador editorial y periodista

Carlos Cabañas. Diseñador gráfico

Andreu Balius. Diseñador gráfico y de tipografía

José Luis Martín Montesinos. Profesor e impresor

Eric Olivares. Diseñador gráfico

Diego Areso. Periodista y diseñador gráfico

Raúl y Miquel Campuzano. Diseñadores gráficos

Diego Obiol. Periodista y diseñador

Marc Antoni Malagarriga. Diseñador y desarrollador

Santi Barjau. Historiador

Iván Castro. Calígrafo y diseñador

Albert Creus. Diseñador

José María Ribagorda. Diseñador gráfico y profesor

Albert Cano. Diseñador gráfico

Josep Patau. Diseñador gráfico y de tipografía

Juanjo López. Diseñador

Herminio Javier Fernández. Periodista visual

Eva Sanz. Diseñadora