Mostrando entradas con la etiqueta bibliofilia. Mostrar todas las entradas
Mostrando entradas con la etiqueta bibliofilia. Mostrar todas las entradas

octubre 05, 2020

«A bibliophile’s paradise: the National Library of France in a classic documentary from 1956»



Aeon (@aeonmag)



Toda la memoria del mundo / Toute la mémoire du monde, cortometraje dirigido por Alain Resnais. [VÍDEO] Canal u uu en YouTube


«Before there was the internet, there was la Bibliothèque nationale de France (the National Library of France) in Paris: an ever-expanding collection of books, manuscripts, maps and other cultural artifacts that has been operating continuously since the 15th century. The documentary Toute la mémoire du monde (All the Memory in the World), made by the influential and celebrated French filmmaker Alain Resnais in 1956, is an astounding tour of the institution before digitisation, when the world’s largest well of information wasn’t at our fingertips, but fastidiously collected and sorted behind library walls.

»Resnais focuses not only on the imposing scope of the library’s holdings, but also explores the vast enterprise of maintaining it for centuries to come, as well as the facility’s role as a bustling home for curiosity and enquiry. Through moody black-and-white cinematography of the library’s collection, architecture and meticulous processes, the film explores a place that, like human knowledge itself, is ‘destined to be forever a work in progress’. A dramatic score by Maurice Jarre – by turns pulsing, soaring and delicate – acts as a further guide through the labyrinth of the library, and the film itself.»


Read all on Aeon



agosto 20, 2020

Museo del Estanquillo: Bibliofilia Mexicana



«Carlos Monsiváis se definió como un bibliófilo. Con base a los intereses del escritor, se conformó una selección de libros ilustrados que contribuyeron a definir el rumbo cultural del país». Museo del Estanquillo (@m_estanquillo).





julio 23, 2020

«Tenemos libros de todo tipo para todo tipo de público: filosofía, ciencia ficción, arte, literatura, clásicos, colecciones, infantil... Pueden preguntarnos por cualquier tema» | Feira do Libro Antigo e de Ocasión de Vigo


Rosé Carrera (@rosercarrera)
Atlántico Diario (@AtlanticoDiario)




La nueva edición de esta cita, abierta en la Praza de Compostela, cuenta con 14 librerías llegadas de fuera de Madrid, Asturias, Barcelona, Valencia, Burgos, Valladolid, Alicante y Granada. (Cartel de la Federación de Librarías de Galicia).


«“Los gallegos fuisteis los primeros en desconfinaros y los primeros en celebrar ferias del libro. Esta feria es una referencia para el sector. Sois un ejemplo de cómo se hacen las cosas”. Luis Tartero, de Lorca Libros, de Madrid, es uno de los 14 libreros que este año participan en la Feira do Libro Antigo e de Ocasión de Vigo, segunda de este tipo que se celebra en Galicia, tras Santiago, en la era poscovid.

»Una edición que viene marcada por las medidas de seguridad: uso obligatorio de la mascarilla, geles hidroalcohólicos en cada caseta, paneles explicativos y recorridos marcados pese a la estrechez de la acera.

»La feria se inauguró el sábado y permanecerá abierta hasta el 2 de agosto en la Praza de Compostela. De momento, y debido a buen tiempo, la afluencia ha sido floja; algo más animada en la mañana de ayer. Pasa todos los años: “Si hace calor, la gente se va a la playa”, comentaban los libreros.

»El mensaje de estos profesionales del libro antiguo y de viejo es claro: “Tenemos libros de todo tipo para todo tipo de público: filosofía, ciencia ficción, arte, literatura, clásicos, colecciones, infantil... Pueden preguntarnos por cualquier tema”, recalcaba Antonio Pariente, de Valladolid.

»“Pero la bibliofilia se está perdiendo”, se lamentaba Rafael Moral, de Libros Valdezate, de Burgos. “Ya no hay coleccionistas de libros de más de 100 años; no hay relevo. Es lo primero que venden las familias cuando estos fallecen”.

»Las librerías presentes en la Alameda proceden de Madrid, Asturias, Barcelona, Valencia, Burgos, Valladolid, Alicante y Granada. Muchas repiten en Vigo, ya que forma parte del circuito de verano de ferias.

»Además de los libros de ocasión, se pueden encontrar auténticas joyas de coleccionista, como una Historia Natural de nueve tomos de 1881 (Libros Valdezate); un tomo con todos los números de la revista El último figurín de 1871 o el Tratado del Ejército con Ordenanzas de Su Majestad de 1768 (Libros Pariente), además de primeras ediciones, ediciones facsímiles numeradas o pergaminos (Asilo del Libro)».


.../... Lee todo en Atlántico Diario




Rafael Moral, de Libros Valdezate (Burgos), sostiene un tomo del siglo XIX con cromolitografías.



Antonio Pariente, de Pariente Libros (Valladolid), muestra un libro de navegación.





junio 25, 2020

Desde los fondos del Museo Picasso Málaga (@mPICASSOm), tres libros ilustrados por el pintor se exhiben en la exposición Picasso visto por Otero (Durante todo el verano 2020)



Revista de Arte (@revistadearte)


«Las fotografías del Museo Picasso Málaga se exponen junto a una selección de tres libros ilustrados por Pablo Picasso, asimismo pertenecientes a los fondos bibliográficos del museo, que revelan la aportación picassiana a la bibliofilia.

»Se trata de los siguientes volúmenes, cada uno de ellos con características muy especiales: Dos Contes, con texto de Ramón Reventós de la Editorial Albor que data de 1947, un libro ilustrado a modo de carpeta con cuatro aguafuertes a punta seca estampados sobre papel;



Ejemplar a la venta de Dos contes (Ramon Reventos, Pablo Picasso, Dos contes (Le Centaure Picador. Le Crépuscule d'un faune), París-Barcelona, Editorial Albor, 1947) en la librería Sequitur Books (5.500 dólares). Disponible también a través de Iberlibro (@AbeBooks).


»Carmen, con texto de Prosper Mérimée y editado por La Bibliothèque Française en 1949, publicación carpeta con 38 grabados a buril estampados sobre papel;

»y Tauromaquia o el arte de torear, con texto de José Delgado (Pepe Illo), un libro ilustrado con 26 aguatintas al azúcar y una punta seca estampados sobre papel, que en 1959 publicó la editorial barcelonesa Gustavo Gili».

.../... Lee todo en Revista de Arte





mayo 07, 2020

«Gina Inverarity modernises a classic fable with Snow»


Lezly Herbert
OUT in Perth (@OUTinPerth)




Book cover designed by Gina Inverarity, author of the book too.


«ABC online news had a recent headline From the Burbs to the Bush, Animals are Reclaiming and Exploring the World During Coronavirus. Of course, Gina Inverarity wouldn’t have known about that when she wrote her recently published book that predicts that a global catastrophe releases animals that were previously kept in cages for people’s amusement and many of them now roam free.

»Inverarity takes the heart of the Snow White story and puts it in a post-global world where sea levels have risen, the fossil fuel industry has collapsed and the world-wide ban on shipping freight and air travel has meant the communities have been isolated. The human population has fallen dramatically, the sun has disappeared behind clouds and the temperature has plummeted.

»Snow is born into the world of cold but her mother died when she was born. Her father remarried, only to die 9 years later and Snow’s step-mother locked her away in a cold, dark cell. After 3 years, her step-mother gives orders for a hunter to take Snow into the forest, to kill her and to bring back her heart as proof of the deed.

»You know the story ... the hunter can’t kill the girl and returns to the chateau with the heart of an animal. In a bleak departure from Disney interpretations, Snow battles the elements and is even accompanied by a motherless bear cub as she heads off into the mountains.

»Snow and Little Bear come across a mining settlement and exchange safety for undertaking the domestic jobs while the miners go off to work. She named the men after their personalities – the boss, the clown, the drunk, the peace-maker, the smoker and Lazy. Then there was Leery, Surly and Sinister that she was particularly wary of.

»Snow eventually meets a princely fellow who could very well be her saviour. But this is a very modern fairytale and, having returned to live as one with nature, Snow is reluctant for trade her freedom for married city life. As she struggles to make her decision, Inverarity stays faithful to the ancient tale and Snow is killed and put in a glass coffin.

»Targeted at young adults, it is a story that no one will want to put down.»


.../... Read all on OUT in Perth



abril 21, 2020

« Jean de La Fontaine, une vie qui éclaire l’oeuvre »



France Culture (@franceculture)



VÍDEO. Jean de La Fontaine. Quelle Histoire Éditions et TV5 Monde (@TV5MONDE).


« Depuis l’enfance, il est notre ami. Et les animaux de ses Fables, notre famille. Agneau, corbeau, loup, mouche, grenouille, lion... ne nous ont jamais quittés. Mais que savons-nous de Jean de La Fontaine, sans doute le plus grand poète de la langue française ?

» Loin d'être un sermonneur, La Fontaine est un fabuliste qui fait réfléchir sur les méandres de la nature humaine, qu'il ne cesse de questionner. Et si le pouvoir des fables, c’était justement de produire une liberté de pensée heureuse ? Redécouvrez le parcours et l'oeuvre de l'auteur des fables les plus célèbres de la littérature française, dans cet épisode d'“Une vie, une oeuvre” consacré à Jean de la Fontaine.

» Le 5 septembre 1661, Nicolas Fouquet, surintendant des Finances de Louis XIV, est arrêté. Il est accusé de prévarication et, au terme de trois années de procès, emprisonné à vie. La chute de Fouquet est un coup de tonnerre et le coup d’envoi d’une révolution monarchique, car Louis XIV affirme ainsi sa toute-puissance. Mazarin est mort au printemps, le roi entend désormais régner seul. Pour La Fontaine, cette arrestation est un choc. Le poète, déjà âgé de quarante ans, eût été poète royal si Fouquet avait continué sur sa lancée. Pourtant, il va lui rester fidèle.

» “Diversité, c’est ma devise”, écrit La Fontaine, qui fréquente en même temps les jésuites, Port-Royal et les libertins érudits.

» Nous verrons dans ce portrait comment la chute de Fouquet, conjuguée à la sensibilité littéraire et psychologique de La Fontaine, pousse ce poète esthétiquement vers la souplesse, la vélocité, les nuances, la légèreté, la gaîté : des valeurs qui le séparent du rationalisme et de la rigueur de l’absolutisme. La Fontaine joue à cache-cache avec le goût et la politique de son temps.

» Vous entendrez les analyses de Patrick Dandrey, professeur de littérature française du XVII° siècle à l’Université Paris-Sorbonne ; Marc Escola, professeur de littérature à l’université de Lausanne ; Dominique Noguez, ecrivain français (1942-2019) ; Boris Donné, maître de conférences à l’université d’Avignon ; Jean De Guardia, maître de conférences à Paris-Est-Créteil ; Frédéric Boyer, écrivain, traducteur et éditeur.

» Contes lus par Aurélia Petit.

» Avec les voix de Louis de Funès, Lambert Wilson et Christian Haas.

» Un documentaire de Virginie Bloch-Lainé. Réalisation Gilles Davidas. Prises de son : Patrice Klein, Laurent Lucas et Benjamin Chauvin. Mixage Benjamin Vignal. Documentation et recherche internet Annelise Signoret. Collaboration Juliette Dronne.



Jean de La Fontaine · Crédits : Getty.



» Pour aller plus loin

» Une biographie sur adlitteram.free.fr, site consacré au monde des livres, de la bibliophilie et de l'histoire de l'art.

» http://www.academie-francaise.fr/les-immortels/jean-de-la-fontaine

» La page de La Fontaine sur le site de l'Académie française. Jean de La Fontaine a été élu en 1684 à l’Académie française, au fauteuil n°24.

» Les douze livres des Fables, en ligne.

» Marlène Lebrun, Regards actuels sur les Fables de La Fontaine, Presses universitaires du Septentrion, 2000. En ligne.

» Jacques Serieys, “Jean de La Fontaine, poète engagé et libre, poète du peuple”, Midi insoumis, populaire et citoyen (site de la France insoumise - Midi-Pyrénées), 22/03/2020.

» Hafida Bencherif, “Figures du Monarque et imaginaire tyrannique chez La Fontaine”, mémoire de Master of arts, University of Western Ontario, 2016.

» Sophie Rollin, “Le jeu de la séduction dans les Contes de La Fontaine”, Littératures classiques, n°69, 2009.

» Les pièces de La Fontaine. En ligne.

» Louis Moland, Introduction aux œuvres de La Fontaine, 1875.

» Le site de Patrick Dandrey, président de la Société des Amis de Jean de La Fontaine. »


.../... Tout lire et écouter ce portrait radiophonique sur France Culture



abril 14, 2020

«How BooksbyKilo made its way into bibliophiles’ good books with an innovative idea»



YourStory (@YourStoryCo)




«Mumbai-based BooksByKilo (@booksbykilo “Spend Less. Read More”) offers quality books at extremely low prices - they are sold by their weight. The startup’s ability to source popular pre-loved titles has hit the sweet spot with its audience despite the proliferation of e-books and audio offerings.


»Being a bibliophile, Abhishek Sayam observed that e-books and audiobooks were more a matter of convenience than experience. “The smell of a book, the feel and rustle of a paper is irreplaceable. Physical books provide so much visual and tactile comfort,” he says. But, the rise of popularity of audiobooks and ebooks was telling a different story. When Abhishek delved deeper, he realised that one of the factors that contributed to the plummeting popularity of physical books was the cost of owning one.

»However, he also saw that second-hand books were often available in mint condition. Putting the two together, combined with his love for books, Abhishek in 2018 started on a journey to reintroduce the love for reading physical books with BookbyKilo, an offline store in Kamothe in Mumbai. Three months later, they went online as well.



»Second-hand books for a first-hand reading

»BooksByKilo offers good quality books at extremely low prices, as they are priced by their weight. The online platform has a wide range of books - from teen and adult fiction to children’s books.

»“These are not the pirated, low-quality books often sold in neighbourhood second-hand book stores. These are all 100 percent original and pre-loved books,” Abhishek says. The startup’s ability to source good quality pre-loved popular titles has hit the sweet spot with its audience. Sharing how he put in place a sourcing model for his books, Abhishek says, “We started with vendor lookup. We tracked a few in India and abroad.

»On detailed scrutiny and quality check, we finalised some of them to be our vendors”. Today, the startup sources book from vendors across India, buying in bulk and then sorting the inventory in their warehouse. Staying relevant has been another big growth driver for the startup, Abhishek says. “We try to maintain a balance between what we think readers want and what they actually want. Though our marketing is on a small scale, we try to keep it to the point. Our exhibitions have been advantageous in terms of reaching the masses. And of course, our quality. It's been almost two years with zero-order returns," he says.



»Book Thela Using WhatsApp to connect

»As the business began to grow, BooksByKilo knew it had to keep its customers happy. This is where the WhatsApp for Business App came in handy. “It helped us engage with our customers at a personal level without being intrusive. Be it for informing customers about the order status, taking feedback, or understanding their requirement, WhatsApp was the most preferred channel. It also helped our team to respond to customer queries more efficiently without needing to shift to devices.” “With WhatsApp, even business communication became informal. It broke down the psychological barriers for customers. And, interacting with customers effectively saw the sales shoot up by 40 percent,” Abhishek adds. In addition, WhatsApp Business features such as instant messaging and group broadcasting of messages helped the startup to save time as they could now promote books to multiple contacts at once.



»Delhi-based startup BookMandee can help you sell or donate used books

»A multi-fold impact Today, BooksByKilo sells 5,000 books on average each month. “There is a huge demand for children’s books as well as teen and adult fiction. Also, renowned authors such as Dan Brown, Jeffery Archer, and Julia Donaldson are always in high demand,” Abhishek shares.

»The startup is focusing on "spend less and read more". But, that’s not the only impact it has been able to create. While it has helped book lovers invest in original books instead of purchasing low-quality, pirated editions, it has also made a positive environmental impact. “With every tonne of books sold, we have been instrumental in saving 17 fully grown trees, 1,500 litres of oil, 81 cubic feet of a landfill, 4,000 kilowatts of energy, and 7,000 litres of water.

»So far we have sold five tonnes of books.”



»Reinventing a ‘dusty’ concept

»While BooksByKilo has been sourcing from large vendors till now, the team is now working on the ‘buying a book’ business model, which will allow them to procure books from anyone in India in return for BooksByKilo credits or actual money. Reflecting on his entrepreneurial journey, Abhishek says, “What attracted me to build BooksbyKilo was the concept of selling books by weight and not MRP.

»But, the concept was poorly implemented in second-hand book stores. They were equated with dusty old books that no one wanted to read. I wanted to prove otherwise. It was challenging to say the least, for it forced us to develop a model not attempted by anyone. It challenged our confidence level. But we came through just right.

»Today, when things don’t go our way, we remember those difficult days.” Sign up for Newsletters Check out our popular newsletters and subscribe When asked if he would channel his entrepreneurial spirit elsewhere, the book lover says, “Being a bibliophile, I always wanted to do something with books. If not for BooksByKilo, I would probably be a book cover designer or a bookmark maker.”

»(Edited by Teja Lele Desai)»


.../... Read all on YourStory







marzo 31, 2020

«It is only by selling books, that we can continue to be booksellers. We love books as much as you do. They are what sustain us, in every meaning of the word»


Douglas Stewart (@DSFineBooks), president of the Australian and New Zealand Association of Antiquarian Booksellers (ANZAAB) (@ANZAABRareBooks)
International League of Antiquarian Booksellers (ILAB) (@ILABRareBooks)



Doug Stewart (left) and Eric Waschke (right) raising the ILAB flag at an excursion in Oman.


«A message from the ANZAAB President

»To our collectors and friends,

»We face together the perils of the coronavirus, the impact of which is infiltrating all areas of our society.

»The virus will be defeated, but the cure is some time away. While the medical researchers do their work to end the crisis, we must do ours to limit its impact.

»Please follow all advice to increase your attention to personal hygiene, and to limit unnecessary socialising. By doing so, you will reduce the opportunities the virus has to infect you, and your loved ones.

»Public health is the priority, and ANZAAB has taken the unprecedented step of cancelling the Melbourne Rare Book Fair and Sydney Rare Book Fair for 2020. The associated Rare Book Weeks have also been cancelled.

»The economic impacts of the coronavirus are profound, and will affect most of us, with small businesses like ours particularly vulnerable. While some government assistance has been announced to cushion the fall, this assistance cannot protect us if we have no business at all.

»It is only by selling books, that we can continue to be booksellers.

»It is only by collecting books, that you can consider yourself a book collector.

»We love books as much as you do. They are what sustain us, in every meaning of the word.

»Books share our stories. They preserve our history. They reinforce our humanity. If you are reading this message you have already discovered this, from your visit to a book fair or interest in book collecting. We ask that you keep your passion for books alive during this difficult time.

»We stand by you as we face the coronavirus crisis together. During times of uncertainty we can be reassured that books always survive, libraries stand strong, and the presence of books gives comfort and solace when people are sick, isolated or distressed.

»Our members rely on collectors and librarians buying our books in order to pay our bills. If customers stop buying books, we cannot pay our rent, employ our staff, create a catalogue or open our shop every morning.

»We ask that you continue to support our small businesses during the coming months.

»Reach out to the booksellers and see what they have that might interest you. Bookshops are still trading, but many are now by appointment only, so give us a call and see if you can drop by. Take a look at our websites, send us an email with a wants list, send us a postcard if you prefer! If you are spending time at home, it is the perfect opportunity to order a few things and have them posted to you.

»Book collectors need booksellers, and now more than ever, booksellers need collectors.

»If you already make the occasional purchase, then keep doing so. If you are a regular buyer, please keep adding to your collection. We rely on each one of you to keep our small businesses alive.

»As we navigate our way through this crisis together, please look after your health, in consideration of those most vulnerable to this disease.

»We look forward to staying in touch over the months ahead, to continue mutual support, and the celebration of our love of books.

»With my very best wishes,

»23rd March 2020».


.../... Read all on the International League of Antiquarian Booksellers (ILAB)



marzo 24, 2020

«Barnes & Noble’s New Plan Is to Act Like an Indie Bookseller. Can the world’s most feared hedge fund rescue the last big American bookstore?»


Thomas Buckley (@tgbuckley) and Scott Deveau (@scottdeveau)
Bloomberg Businessweek (@BW)



Photo illustration: 731; Photos: Getty Images; Alamy.


«Last fall, during a visit to Barnes & Noble’s (@BNBuzz) flagship store in New York City’s Union Square, the British bibliophile James Daunt strode about the ground floor in oxblood loafers deploring the bookshop’s hideous appearance. The carpets were dusty, and the escalators had broken down. A cheap pine table was littered with trinkets and scented candles. A vase was wedged between new titles, its bouquet of sunflowers sagging in brown water.

»“I like the idea of the flowers, but you have to change the water,” Daunt said. “And you have to put in decent flowers—you can’t just go down to the petrol station and grab a bunch. I mean, look at it.”

»Daunt has opened about 60 bookshops in his three-decade career, every one of them profitable, making him one of the Amazon era’s most successful booksellers. After founding Daunt Books, a popular, independent brand of stores in the U.K., he was credited with saving the country’s largest chain, Waterstones, from ruin by giving managers more agency over their inventory. Those credentials impressed Elliott Management Corp. (@Elliottmgmtcorp), a notorious $40 billion hedge fund better known for seizing an Argentine warship as collateral and berating corporate governance at Twitter Inc. and AT&T Inc. It acquired Barnes & Noble Inc. last year for $683 million including debt and appointed 56-year-old Daunt chief executive officer, the man in charge of its rescue.

»In its 1990s heyday, Barnes & Noble’s superstores blended the sociability of a Starbucks with the bargaining talent of a used-car dealer. But two decades after Amazon.com Inc. capsized the bookselling industry, America’s largest chain of bookstores was flirting with bankruptcy. By the time it was acquired by the hedge fund, its footprint had been slashed in half to a little more than 600 stores, sales were in their seventh straight year of decline, and the company was hemorrhaging cash.



»Elliott became traditional bookselling’s unlikely defender in 2018 after its buyouts of Waterstones and Foyles, a British chain that had been owned by the founding family for more than a century. For Paul Best, who runs a portion of the investment firm from its London office and has taken a shine to companies battered by the retail apocalypse, the distress at Barnes & Noble signaled that he was buying the clunker at exactly the right time. “The more disrupted the category, almost the better,” Best says. “Because if you’re still there after that, you probably have durability and you’ve demonstrated a reason to exist.”

»His research showed the book business had potentially reached a nadir: The e-book market had started shrinking in some countries; the overall value of physical books was rising; and America’s smaller bookshops were growing again. At three times the size of its closest competitor, and the only major chain left of its kind in the U.S., Barnes & Noble was the cockroach after the catastrophe.

»No corner of retail has been more disrupted by the decline of the physical shop than bookselling. In 1995, Jeff Bezos began selling books on Amazon.com because there were more items in the category than in any other. He aimed to sell the majority of the 3 million titles that were circulating in print, more than 20 times the number carried by the largest physical bookshops. Today about two-thirds of all books in the U.S. are sold online, almost exclusively through Amazon. Barnes & Noble is fighting to keep selling 1 in 5.

»It’s a dramatic reversal of fortune for a bookstore chain that itself was once considered the big, bad, ugly machine that corporatized the staid practice of bookselling. Founded 134 years ago as Arthur Hinds & Co., Barnes & Noble was acquired from U.S. conglomerate Amtel in 1971 by Leonard Riggio, a Bronx native who ran the business until 2002, expanding it from a single, now-defunct location on Fifth Avenue into a nationwide network. Under Riggio, the chain became the first bookstore to advertise on television in 1974 and, a year later, the first to steeply discount literature, selling New York Times bestsellers at 40 % off the publishers’ list price.

»In the 1980s, Barnes & Noble acquired 798 B. Dalton stores and 22 Bookstop superstores, making it the largest bookselling chain in the U.S. It used its scale to negotiate lucrative marketing agreements with publishers vying to display their books in every shop’s front window. Such deals infuriated independent booksellers, which were unable to match Barnes & Noble’s prices. By 1998 the company was fictionalized in Nora Ephron’s You’ve Got Mail as Fox Books, a totemic big-box chain that threatens the independent bookstore across the street.



»The chain’s clout in the publishing industry also meant it could comfortably fend off Amazon, which logged several years of financial losses before eventually turning a profit in 2001. Barnes & Noble was large enough that it could at least match the startup’s discounts as well as its breadth of inventory. Now Amazon’s bookselling operations account for only a fraction of the group’s annual sales of close to $300 billion, which are mostly derived from online retail and cloud computing services.

»“No one was really sure that Amazon was going to last or truly threaten brick-and-mortar-style bookselling, because all it did initially was what any bookstore could do, which was, in a sense, special-order any book in print,” says Laura Miller, a professor of sociology at Brandeis University and the author of Reluctant Capitalists: Bookselling and the Culture of Consumption. “The idea of getting it delivered on your doorstep was not necessarily so enticing that you would stop going to a bookstore.”

»Over the past two decades, that’s exactly what happened. Since Amazon’s founding, the number of bookstores in the developed world has collapsed. Crown Books entered bankruptcy for the second time in three years in 2001, and Borders filed for Chapter 11 in 2011, resulting in the closure of thousands of stores. Books-a-Million Inc., the second-largest chain in the U.S., went private in 2015 after losing 90 % of its market value. Barnes & Noble discontinued B. Dalton in 2013 after closing down all its bookshops.

»Barnes & Noble Education Inc., the college bookstore division that was separated into an independent public company five years ago, is expected to report its third consecutive fall in annual revenue this summer.



Barnes & Noble’s flagship store in New York City’s Union Square. Photographer‎: Richard Levine / Alamy.


»By 2015, Amazon opened the first of its own 21 bookstores in the U.S.—clinical data-driven spaces where titles are organized according to the bestseller list on its website. (“Not Built for People Who Actually Read,” read a New Yorker headline.) The company also sells some titles at its Amazon four-star stores, a bizarre and more extensive embodiment of its purchasing algorithm where books are mixed in with laundry bags, motion-activated doorbells, and other four-star-rated products.

»What really terrorized Barnes & Noble was the Kindle tablet. About 3 in 4 e-books in the U.S. are bought and read on a Kindle, giving Amazon enormous sway with publishers. In 2010 the company pulled books from Macmillan Publishers Ltd. in a dispute over the pricing of its e-books on Amazon.com. The fear that e-readers would soon kill the assembly of ink, paper, and glue fueled the development of Barnes & Noble’s own tablet, the Nook, which sought but ultimately failed—at a cost of more than $1 billion—to compete with the Kindle two years after Amazon introduced it in 2007.

»The experiment drastically weakened Barnes & Noble at a time when its commoditized approach to bookselling effectively rendered the chain a collection of charmless warehouses. Revenue peaked at $7.1 billion in 2012, which it attributed in an earnings call to a temporary rise in visits to its stores following the liquidation of Borders. Sales have been in free fall ever since. In 2018 revenue crashed to $3.7 billion, the lowest since 2000, and the company has consistently failed to turn a profit.

»That February, Barnes & Noble laid off almost a tenth of its employees, a majority of them full-time staff who’d worked at its bookshops for decades. It was one of several culls that saw the company’s onetime workforce of 56,000 slashed in half since the early 2000s. Months later an unnamed acquirer rescinded an offer to buy the chain when its then-CEO, Demos Parneros, described the business in a meeting as “an ugly mess” with “no realistic prospects for success,” according to court filings.



»Four CEOs have helmed Barnes & Noble in the past five years, two of them with mass-market retail experience—at Staples Inc. and Sears Holdings Corp. They sought to standardize Barnes & Noble’s network of shops into a single, transposable model—a national blueprint for how books should be sold everywhere. Daunt aims to undo that work, spending three weeks per month in New York running Barnes & Noble. He wants to encourage booksellers to arrange their local window displays with titles that will be relevant to the shoppers passing by. “Anybody will know that people don’t read the same way in Birmingham, Alabama, as they do in New York City,” he says.

»Promotional agreements, in which publishers pay bookstores to take on inventory and showcase it, are a common source of revenue in the bookselling industry, but they can be grossly inefficient. Months later shops have to return thousands of unsold copies to their suppliers if demand is weaker than expected. Barnes & Noble’s current return rate across all titles is about a quarter, roughly the same as when Daunt joined Waterstones. It’s worse for new releases: About half of the latest books Barnes & Noble stocks are returned unsold, he says.

»Daunt was also aghast at Barnes & Noble’s overzealous focus on in-line merchandising—shelves snaking through the checkout lines targeting impulse shoppers with irrelevant last-minute products such as stockings and sunglasses. The chain, which for years sold complementary but more profitable items including puzzles and calendars, was now hawking lukewarm bottles of Fiji water at its cash registers, along with essential oil diffusers and Himalayan salt lamps.

»Under Daunt, Barnes & Noble will shrink the space it allocates to miscellany, including its CD and DVD section, replacing it with expanded children’s and young adult sections. The company is also testing new layouts at some of its stores, such as lower tables instead of midlevel units, to speed up the traffic. Daunt says the New York flagship could start looking “pretty good” after an investment of $5 million. Elliott has agreed to front the initial cost of renovating Barnes & Noble’s stores until the bookshops are profitable enough to reinvest in themselves. “Ultimately it’s going to cost an immense amount,” Daunt says. If the return justifies his early initiatives, the total amount spent on renovating the branches will surpass $100 million.



»Beyond repairing the elevators, steam-cleaning the carpets, and swapping in sleeker fixtures, Daunt says, the company’s bookselling strategy needs a complete overhaul. In a misstep that attracted national headlines last month, critics accused Barnes & Noble’s Fifth Avenue store of “literary blackface” after it redesigned covers of classics, depicting Moby Dick’s Captain Ahab in various skin tones and casting Frankenstein with a black monster, all to celebrate Black History Month. The initiative, which Daunt says despite its good intentions was “a little bit daft” and that he knew nothing about until it was announced, was canceled within hours.

»Another major aspect of the strategy to revive the company will be to open new locations in “significantly under-bookstored” parts of the U.S. Daunt is aiming for a total of about 1,500 shops, which would match the company’s historical peak. He also sees an opportunity to relocate some of the bigger stores to smaller locations in high-end shopping malls and on street corners in affluent neighborhoods, where he says the brand would fit well alongside other targets of middle-class spending, like Aveda soaps and Peloton exercise bikes. Downsizing some branches, as Daunt did at Waterstones, would also save on rent—all but one of the company’s bookshops are leased.

»The test will be whether each bookshop can be mindful enough of the community it’s attempting to sell to and curate a stock appealing enough to bring back readers. At the New York flagship, changes as small as displaying more softcover books than hardbacks, which are less practical for reading on the subway or in a nearby park, can drive sales. “I don’t want every Barnes & Noble to become a version of Union Square,” Daunt says. “I want Union Square to be the obvious store to have on Union Square, in New York City, where it becomes really sophisticated, metropolitan, urgent, vibrant, young, energetic, sharp-elbowed—because that’s what’s going on in the city out there.”

»Daunt, who has a degree in history from the University of Cambridge, began selling books after his wife advised him to pursue a more spiritually rewarding career than investment banking. In 1990, after leaving J.P. Morgan, he opened his first store after acquiring the space of a former antiquarian bookshop in the affluent London neighborhood of Marylebone. The Edwardian interior is a spectacular corridor of oak banisters and herringbone floors lit through the stained glass of a large baroque window. At the store’s entrance, books lie flat on tables in a kaleidoscope of mismatched colors and fonts—the titles related to one another in diagonals of true crime, philosophy, and military history.



»This spring the independent chain will open its ninth shop. Each branch thrived by trusting the instincts of well-read employees rather than leaning on publishers’ payments to promote titles on desirable shelf space. Among London’s yuppie classes, Daunt Books is an institution—its tote bags are a staple accessory for cosmopolites affecting the highbrow mating-call look.

»That indie cachet made Daunt Books the polar opposite of Waterstones, which had soured under the ownership of stationery merchant WHSmith Plc and later music retailer HMV. Founded in 1982, the U.K.’s largest bookstore chain—with about 300 shops—had become a bland and unprofitable network of outlets staffed by scores of part-time employees. In 2011, hours before Waterstones was set to file for bankruptcy, Daunt was brought in by the Russian billionaire Alexander Mamut to lead the company’s turnaround.

»In his first weeks, Daunt scrapped the employees’ funereal black uniforms, replaced the furniture to make the shops feel more spacious, and angled spotlights on bookshelves tilted at a precise 3 degrees, the better to catch the eye while also protecting the book spines. He also ended Waterstones’ promotional contracts with publishers, which cost the chain millions of pounds in lost revenue but gave managers unprecedented agency. It allowed booksellers at the company’s stores outside London to promote more relevant titles to their individual locations. In the northern seaside resort town of Blackpool, managers devoted more shelf space to Japanese comics than fiction, and a book about a local soccer team was prominently displayed at a shop in the southern county of Surrey.

»It also helped reduce the return rate—Waterstones’ has since dropped from a quarter to between 3 % and 4 %, which has drastically cut labor and freight costs. (Daunt says lowering Barnes & Noble’s return rate is a major priority.) Another strategy was to open smaller and more discreet stores, without the Waterstones moniker, that passed off as independents in the bucolic market towns of Rye and Southwold.



»By 2016, Waterstones earned its first annual profit in eight years. But not all of Daunt’s decisions were celebrated. He removed 40 % of employees from Waterstones’ middle-management ranks and invested some of those savings in raising the pay of senior staff, but not of junior hires. Five Waterstones booksellers delivered a petition to him last April, with 9,300 signatures calling for salary increases, and later resigned from the position because of low pay. In February, Waterstones lifted the average compensation across the company by 6.2 %.

»The success also came at the expense of some publishers, which paid handsomely to pass their risk on to the sellers that would pile their books up to the gunnels everywhere. “But the reality was we weren’t selling them everywhere,” Daunt says. Last November, at the Bookseller magazine’s conference on the future of the industry, one attendee said her company was now having trouble selling books to Waterstones and Foyles. Daunt suggested the problem probably rested with the products’ appeal rather than the distribution channel. “We’re growing, we’re selling more books, and we’re making money,” he said. “We’ve also managed to sell ourselves to a hedge fund not renowned for making dud purchases.”

»If Daunt succeeds in rescuing Barnes & Noble, it would earn Elliott a stellar return. In typical hedge fund fashion, it’s already insulated itself against not earning anything at all from its bookstore empire. Corporate filings show that a £32,279,784.11 ($41,598,957) dividend was paid last year from Waterstones to Book Retail Holdco, an entity controlled by the firm and domiciled in a Channel Islands tax haven that indirectly owns the U.K. chain. “I’m not emotionally attached to the business,” Best says of Elliott’s investment. “I like bookshops. I like being in bookshops. I buy books in bookshops and, in so doing, I noticed there were a lot of other people in the bookshops I was in.”

»Daunt says he’s answering a higher calling. “There aren’t remotely enough independents to maintain our industry. Publishers won’t keep that infrastructure going, it will become a world completely dominated by Amazon, and the traditional bookshop will disappear,” he says. His life’s work now depends on saving the giants that were once the enemy. “If we can achieve that goal, the owner will also make a lot of money, so they’ll be happy as well.” ».


.../... Lee todo en Bloomberg Businessweek



marzo 17, 2020

Orden CUD/1292/2019, de 18 de diciembre, por la que se concede el Premio 2019 a los Libros Mejor Editados en 2018. Publicada en el BOE, núm. 5, de 6 de enero de 2020



Boletín Oficial del Estado (@boegob)



VÍDEO. Aurea Dicta, de Miquel Barceló


«Mediante Resolución de la Dirección General del Libro y Fomento de la Lectura, de fecha 2 de julio de 2019, se convocó el Premio 2019 a los Libros Mejor Editados en 2018 (Boletín Oficial del Estado núm. 163, de 9 de julio).

»Por Orden CUD/1064/2019, de 23 de octubre (Boletín Oficial del Estado núm. 260, de 29 de octubre) se designó el Jurado para la concesión del Premio señalado en el párrafo anterior, en cumplimiento del artículo 4 de la Orden CUL/196/2008, de 28 de enero, por la que se establecen las bases reguladoras del Premio a los Libros Mejor Editados y del apartado séptimo de la Resolución de convocatoria.

»Válidamente constituido y reunido el Jurado del Premio a los Libros Mejor Editados se ha elevado el fallo correspondiente a través de la persona titular de la Dirección General del Libro y Fomento de la Lectura.

»En virtud de lo anteriormente expuesto, y en cumplimiento del artículo 7 de la Orden CUL/196/2008, de 28 de enero y del apartado noveno de la Resolución, dispongo:


»Primero. Concesión del Premio en la modalidad Libros de Arte

»Se concede el primer Premio 2019 a los Libros Mejor Editados en 2018, en la modalidad de Libros de Arte a Galeries d’art a Catalunya, de varios autores, editado por la Generalitat de Catalunya, por su cuidado diseño gráfico y por la original coexistencia de dos sistemas de encuadernación, encolados entre sí.

»Se concede el segundo Premio 2019 a los Libros Mejor Editados en 2018, en la modalidad de Libros de Arte a América, tierra de jinetes. Del charro al gaucho. Siglos XIX-XXI, de varios autores, editado por Turner Publicaciones, por la calidad de sus más de 400 ilustraciones y de su encuadernación en seda impresa.

»Se concede el tercer Premio 2019 a los Libros Mejor Editados en 2018, en la modalidad de Libros de Arte a Santa María la Mayor, de varios autores, editado por Turner Publicaciones, por su original combinación de papel mate de gran calidad para la parte gráfica y papel tela para los textos.


»Segundo. Concesión del Premio en la modalidad Libros de Bibliofilia

»Se concede el primer Premio 2019 a los Libros Mejor Editados en 2018, en la modalidad de Libros de Bibliofilia a Aurea Dicta, de Miquel Barceló; ilustraciones de Miquel Barceló, editado por Editorial Alpha, por su singular composición, que aúna las técnicas más avanzadas de las artes gráficas con el trabajo artesanal.

»Se concede el segundo Premio 2019 a los Libros Mejor Editados en 2018, en la modalidad de Libros de Bibliofilia a La Alhambra, belleza eterna, de Javier Macpherson; ilustraciones de Javier Macpherson, editado por Legado Gráfico, por su combinación de la edición facsímil de doce estancias de la Alhambra en el siglo XIX, de John Frederick Lewis, enfrentadas con sus correspondientes grabados actuales de los mismos lugares realizados por Javier MacPherson Monegal.

»Se concede el tercer Premio 2019 a los Libros Mejor Editados en 2018, en la modalidad de Libros de Bibliofilia a ADN Cervantes, de Felipe Alarcón Echenique y Miguel Fernando Gómez Vozmediano; ilustraciones de Felipe Alarcón Echenique, editado por Millennium Líber, por su delicada estampación artesanal a ocho tintas de la obra del artista Felipe Alarcón, quien refleja en sus dibujos la relación de nuestro autor más universal con diez aspectos de las artes.


»Tercero. Concesión del Premio en la modalidad Libros Fácsímiles

»Se concede el primer Premio 2019 a los Libros Mejor Editados en 2018, en la modalidad de Libros Facsímiles a Apócrifo de Avellaneda, de Alonso Fernández de Avellaneda, editado por Millennium Liber, por su exquisita realización artesanal, que busca acercarse lo más posible al original.

»Se concede el segundo Premio 2019 a los Libros Mejor Editados en 2018, en la modalidad de Libros Facsímiles a Cuaderno de notas de Villard de Honnecourt, de Villard de Honnecourt, editado por Siloé, Arte y Bibliofilia, por, por aproximar a los estudiosos de hoy una obra singular sobre arquitectura del siglo XIII, que pueden apreciar tal y como se conserva en la Biblioteca Nacional de Francia.

»Se concede el tercer Premio 2019 a los Libros Mejor Editados en 2018, en la modalidad de Libros Facsímiles a La limpieza no manchada, de Lope Félix de Vega y Carpio, editado por la Universidad de Salamanca, por la elegancia de esta edición, que recupera la realizada por Gráficas Cervantes en 1972, y homenajea a Jesús Sánchez Ruipérez.


»Cuarto. Concesión del Premio en la modalidad de Libros Infantiles y Juveniles

»Se concede el primer Premio 2019 a los Libros Mejor Editados en 2018, en la modalidad de Libros Infantiles y Juveniles a Cándido y los demás, de Fran González Tenorio (Fran Pintadera); ilustraciones de Christian Inaraja Genís, editado por Kalandraka Editora, por su gran riqueza gráfica conseguida a través de figuras sintéticas sobre fondos blancos y una tipografía que reproduce la de las antiguas máquinas de escribir.

»Se concede el segundo Premio 2019 a los Libros Mejor Editados en 2018, en la modalidad de Libros Infantiles y Juveniles a El libro del futuro, de Joana Carro y César Sánchez; ilustraciones de María Ramos, editado por Fulgencio Pimentel, por su concepto original y participativo, realizado de una manera sencilla y atractiva.

»Se concede el tercer Premio 2019 a los Libros Mejor Editados en 2018, en la modalidad de Libros Infantiles y Juveniles a Cara de velocidad, de Margarita Tojo Fernández (Marga Tojo); ilustraciones de María Colomo Hergueta (María Hergueta), editado por Kalandraka Editora, por su acierto en una maquetación sencilla de los poemas, con unas ilustraciones de gran fuerza visual cercanas a la estética del cómic de aventuras.


»Quinto. Concesión del Premio en la modalidad de Obras Generales y de Divulgación

»Se concede el primer Premio 2019 a los Libros Mejor Editados en 2018, en la modalidad de Obras Generales y de Divulgación a Preferiría ser amada, de Emily Dickinson; ilustraciones de Elia Mervi, editado por Nórdica Libros, por reunir de forma armónica poemas, cartas y también, los envelope poems, breves poemas que la autora escribió en sobres de cartas, y que la ilustradora ha sabido interpretar para acercar al lector al universo cotidiano de la poeta de Amherst.

»Se concede el segundo Premio 2019 a los Libros Mejor Editados en 2018, en la modalidad de Obras Generales y de Divulgación a Dispájaro, de Rubén Tejerina; ilustraciones de Cristina Reina, editado por Copelia Ediciones, por su diseño original, llamativo e innovador y sin embargo sobrio, en el que se utilizan dos tipos de papel de tratamiento ecológico.

»Se concede el tercer Premio 2019 a los Libros Mejor Editados en 2018, en la modalidad de Obras Generales y de Divulgación a Black & Tan. Un viaje ilustrado a los orígenes del Jazz, de Miguel Calero; ilustraciones de Neus Caamaño, editado por Publicaciones Ilustradas TTT, por saber sintetizar el contenido con la maquetación, el formato y la estética de las ilustraciones de forma admirable.


»Sexto. Desestimación de solicitudes

»Se consideran desestimadas las demás solicitudes presentadas.

»Madrid, 18 de diciembre de 2019.– El Ministro de Cultura y Deporte, José Guirao Cabrera».


.../... Lee todo en el Boletín Oficial del Estado



marzo 10, 2020

«Antique book show unearths hidden library treasures»


Christopher Cameron
New York Post (@nypost)



Bauman Rare Books, 535 Madison Ave. (Brian Zak/NY Post.)


«In 1960, the year the New York International Antiquarian Book Fair began, Harper Lee came out with “To Kill a Mockingbird.”

»Today, an inscribed first edition of that book sells for $50,000 — and what used to be an industry swap meet is now a globally recognized institution. This weekend, the 60th annual fair will fill the Park Avenue Armory at 643 Park Ave. with 212 dealers of rare manuscripts, maps, ephemera and much more.

»“When I took over the fair 30 years ago, [it] was being run by the dealers — and you never let book dealers run a show!” says Sanford Smith, 80, an art and antique show promoter and the fair’s owner. “I didn’t know anything about rare books. But I fell in love with them. ”

»The 55,000-square-foot fair can be overwhelming for the casual bibliophile, but Smith has some suggestions.

»“The big trend this year is books by women and black authors,” he says. “The great Harlem Renaissance — both the art and written word from that period — are considered very important historically and are doing very well.”

»Among the quirkier items at the fair this year are a complete set of blueprints of the original World Trade Center towers and a first edition of Danish philosopher Kierkegaard’s “The Lily of the Field and the Bird of the Air” that orbited the earth aboard the International Space Station.

»“You can buy great books from $26 to $1 million,” Smith says of the fair, which runs through Sunday (admission is $25).

»Then again, rare books are nothing new in New York. Here are a few of our favorite spots.



»New York’s finest


Argosy Book Store 116 E. 59th St. (Stephen Yang.)

»Founded on lower Fourth Avenue’s famed Book Row in 1925, Argosy Book Store brims with volumes both modest and jaw-dropping. That last includes a first edition of Darwin’s “Origin of the Species” that fetched $170,000. Still for sale at this family-run bookstore are first editions by Sir Isaac Newton ($100,000) and James Joyce’s “Ulysses” ($30,000), plus a collector’s edition of Oscar Wilde’s “An Ideal Husband” signed by the author himself ($20,000). The store also houses a room devoted to collectible autographs.

»“It’s very exciting for us to handle material of every subject and every price range,” says Adina Cohen, one of three daughters of Argosy’s founder, who run the store. “It’s not just high-end, intimidating and impossible.“



»Land of Oz


Books of Wonder, 18 W. 18th St. and 217 W. 84th St. (Stephen Yang.)

»Books of Wonder is a magical place for young readers and their families. But while its two stores specialize in new children’s literature, eagle-eyed collectors will probably zoom in on its rare-book collection. It’s packed with first editions, many of them signed by their authors, including L. Frank Baum’s “The Wonderful Wizard of Oz” ($24,000), Maurice Sendak’s “Where the Wild Things Are” ($22,500) and Kay Thompson’s “Eloise in Moscow” ($750).

»“One my proudest achievements is that we have reissued all of L. Frank Baum’s 15 [Oz] books, in hardcover with color illustrations as they were originally published,” says owner Peter Glassman, who opened his Flatiron location in 1980. “This marks the 20th year we’ve had them all available. Purchasing them all at one time wasn’t something that was even achievable in Baum’s lifetime.”



»Luxury set-ups


Imperial Fine Books, 790 Madison Ave. (Stephen Yang.)

»Bibi Mohamed started working at a rare book store when she was just 17. By 1989, she founded her own Madison Avenue shop, Imperial Fine Books. Specializing in beautiful and luxurious bindings — think lots of leather — Mohamed outfits at-home libraries with complete sets by great authors.

»“We focus on condition and good authors,” Mohamed says. “We have decorative sets by authors like Dickens, Twain and Kipling and can decorate entire libraries with collections in colors like yellow or black.”

»Some highlights: a signed set of volumes by Mark Twain with 500 watercolors ($32,500) and a 32-volume, leather-bound set of Rudyard Kipling stories printed on Japanese vellum ($12,500).

»Don’t let the shop’s sixth-floor perch intimidate you: Imperial Fine Books is always open to the public.

»“As an immigrant woman who didn’t go to college, I am very blessed to be in the book business,” Mohamed says.



»From ‘Gulliver’ to sci-fi


Bauman Rare Books, 535 Madison Ave. (Brian Zak/NY Post.)

»Bauman Rare Books, 535 Madison Ave.Brian Zak/NY Post Natalie and David Bauman founded Bauman Rare Books in 1973 and today it’s still a one-stop shop for all things rare. One of the few bookstores left with an impressive ground-floor retail space, Bauman probably has whatever it is you’re looking for.

»“We are generalists,” says Allison MacIntosh, one of Bauman’s book sellers. “We do everything.”

»MacIntosh says that one genre that’s lately “really taken off” is science fiction. “First editions of ‘Dune’ or ‘I, Robot’ can be really expensive,” she says.

»A few of the store’s treasures include Thomas Jefferson’s personal, annotated copy of “The Laws of the United States” ($245,000), a first-edition, contemporary calf-bound “Gulliver’s Travels” ($182,000) and “The Velveteen Rabbit” in its original dust jacket ($20,500).



»Hidden gem


James Cummins Bookseller, 699 Madison Ave. (Stephen Yang.)

»James Cummins Bookseller, founded in 1978, is an inconspicuous shop, sitting high up on the seventh floor of a building between 62nd and 63rd Streets. But it’s very much open to the public, and looks exactly how a rare bookshop should. From the Harry Potter series to medieval manuscripts, there’s plenty to browse on the shop’s handsome wood shelves and display cases. Definitely check out that 1876 map of Lower Broadway, from Exchange Place to 14th Street ($10,000).

»“We have a very nice room filled with books priced anywhere from a couple hundred dollars to in excess of $100,000,” says bookseller Henry Wessells.

»Cummins is strong on books about sporting and the outdoors, including a rare first edition of “The Complete Angler” by Izaak Walton, which came out in 1653. More timely and familiar are Ian Fleming’s many Bond books, which he inscribed to close family and friends, here priced from $12,000 to $120,000.

»“Bond is hot,” says Wessells.»


.../... Read all on New York Post



marzo 03, 2020

«University of Ibadan (UI) (@UniIbadan) Vice Chancellor, Professor Abel Idowu Olayinka, at 62: Toast to a witty bibliophile»


Sunday Saanu (@saanuui)
The Sun Nigeria (@thesunnigeria)



Abel Idowu Olayinka is a professor of Geophysics whose treatise and research have been instrumental in the body of academic and professional discourses in Geophysics.


«“One of the major lessons life has taught me is that human beings can be so complex, unpredictable and at times, vicious. One needs the grace of God to be able to survive and succeed in life. In my life, I have never killed a fowl, I can’t kill it, I will be shaking, let alone human being. Yet, in the run up to the 2015 vice chancellorship contest, someone alleged that I was after his life. I was too shocked and shattered by the allegation. That is human being for you”

»These were the words of the University of Ibadan (UI) Vice Chancellor, Professor Abel Idowu Olayinka who turns 62 today when this writer had an exclusive interview with him in his expansive office. He spoke further on the nature of human beings. Hear him: “unlike machines that will give you straight forward answers when you press the right buttons, if you present the same body of facts to ten different people, you will get ten different reactions. This may be as a result of their background, ideologies and orientations. All I know is that you cannot predict human beings”.

»There can be no argument about the fact that Prof. Olayinka is a wonder to watch. He lives without pretending. He acts in a fashion of a gentleman, bearing the burden of leadership, with all its stress and distress stoically in his strides.

»Like him or loathe him, he remains truthful. Perhaps to underscore his preference for transparency and accountability, he is quick to declassify and disclose needed information, insisting that he has nothing to hide. That is his routine conduct. Interestingly, since he became the UI VC in 2015, nobody has ever accused him of malfeasance, including stealing the university money. He is honest to a fault. But, steadily, his tenure comes to an end this year in November.

»However, as asserted by the American author, John Maxwell, “leaders become great, not because of their power, but because of their ability to empower. This assertion rings so loud in the life of Prof. Olayinka. He loves to assist and empower young people to grow, particularly young scholars. There have been various testimonies about his interest in using his power to lift people. This he does regularly without any intention to attract applause. When he was the Dean of the then Post Graduate School, now Post Graduate College, he assisted quite a number of people who would have otherwise been frustrated by the bottleneck in the system.”

»Recently, a young scholar, Dr Ayodele John Alonge of the Department of Library, Archival and Information Studies has this to say, “Prof Olayinka is very accommodating and compassionate.

»My first contact with him was in 2014 when I was to obtain study leave approval. Out of his busy schedules as DVC Academic then, he created time to listen to me and he recommended my Study leave for my CARTA sponsored Ph.D. in Kenya. Two years after, I had another opportunity to have a close interaction with Prof Olayinka at the CARTA’s Vice Chancellors meeting at the University of Nairobi, Kenya in July 2018.”

»“I observed that Prof. Olayinka was accommodating, unpretentious in his relationship with people even subordinates like me. He created a friendly atmosphere for close discussion ranging from academic , politics and currents affairs. During our contact with Nairobi, he asked if I would like to move from being an academic Librarian to becoming a Lecturer, that he saw that I would be more suitable in that career path. I eagerly responded in the affirmative. On December 1 when I defended my Ph.D., I received a congratulatory message from him and that I should see him on my return to Nigeria to formalize my transfer. And he made it possible for me to move to the LARIS department as a Lecturer.”

»Indeed, the way Prof. Olayinka manages power, principle and pragmatism is not only amazing but breath-taking as he has no time for egoistic vanity. He molly-coddles everyone, showing respect to all and sundry. If management is doing things right and leadership is doing the right things, then Prof. Olayinka could be said to be doing everything right with his leadership position. He is witty.

»He can also pass for a humour-merchant extraordinaire. One of his long-standing friends, Dr Gani Adeniran could not have been wrong describing him as a man who brings out extra-ordinariness to showcase his professional prowess, Dr Adeniran who has been the VC’s friend since 1971 insisted that Prof. Olayinka sterling strides were remarkable in UI.

»Again, one of the remarkable attributes of Prof. Olayinka is his writing ability. He is a Geologist-turned prose stylist. Those who follow him on social media will attest to the fact that he writes with flair and felicity. At every convocation ceremony, the VC delivers beautiful speeches with accuracy, facts and fluency. The best way to write, according to scholars, is to read and write. This is his cutting edge. He reads widely. Perhaps this is one of the lessons this social media generation can learn from the life of Prof. Olayinka. He is an incurable epistemophile, a bibliophile of uncommon standing. He once confessed that there were times he read for six hours non-stop.

»Assessing him, his Deputy on Administration, Prof. Kayode Adebowale and DVC (Academic) Prof. Adebowale Babatunde Ekanola as well as the Director of Distance Learning Centre, Prof. Oyesoji Aremu were unanimous in their opinion that the VC has been giving the university quality leadership that has greatly lifted the institution. They praised Prof. Olayinka for providing leadership with human face.

»University is a universal city with a diversity of students and lecturers. Some call it a city with an organized chaos, thriving on intellectual dissent and disagreement. Leading such a critical city requires the legendary Wisdom of Solomon. However, Prof. Olayinka’s strength in this case lies in his reticence. He rules largely by body language. Those of us working with him have had to learn his body language. He does not need to talk before you know his mindset. In other words, he is a man of few words.

»He goes about in a self-effacing manner. Prof. Olayinka moves around to personally inspect on-going projects on campus with a missionary zeal. Since 2016, his leadership has been organizing Research and Development Fair which is a way of bringing the gown and town together. Again, last year, the university organised a Small and Medium Enterprises Summit. It was quite innovative. His administration has also facilitated access to students’ transcript in a seamless manner.

»But has there been a day of regrets since he became the VC? He replied, “There will always be frustration. Ordinarily, it is not good to always have everything moving on without hiccups, I applied for this job. I never expected that it would be a bed of roses, I am not a super-human being. Another person could have done it differently. My mother used to tell me that it is not good to have everything so smooth. So, I have learnt to take the rough with the rough.”

»Born at odo-Ijesa, Osun State on 16th February 1958, Prof. Olayinka attended St. Bartholomew’s Primary School, Odo-Ijesa, from 1964 to 1969. He was admitted into the famous Ilesa Grammar School in January 1970 and completed his West Africa Secondary School Certificate in 1975, in Division one. He entered the University of Ibadan in 1977/1978 to study geology and graduated with a Bachelor of Science (B.sc) degree (2nd class Honours, Upper Division) in 1981, and he was the best graduating student in his class.

»He proceeded to the United Kingdom for postgraduate studies in September 1983, first at Imperial College of Science, Technology and Medicine, London. He earned an MSc degree in Geophysics of the University subsequently received the Overseas Research Students’ Award from the Committee of Vice-Chancellors and Principals of United Kingdom Universities (now Universities UK); he utilised this scholarship at the University of Birmingham for his Ph.D. research in Applied Geophysics which he completed in April, 1988.

»As he marks his 62nd birthday today, one can only wish him more years of success and prosperity in the years ahead. Happy birthday sir, a boss and mentor like no other.»


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febrero 25, 2020

«Library Designs every book addict will add to their bucket list!»



Srishti Mitra, Yanko Design (@yankodesign)



«I’m a complete bibliophile! In fact, give me a good book and I can cuddle up with it, completely forgetting about the rest of the world. Hence, it’s no surprise that a library is one of my favorite places in the world, and I’m sure others share the same sentiment. Libraries are warm and comforting spaces with the promise of unlimited knowledge, and are the entryway to another world. So, we’ve curated a collection of exquisite and intriguing libraries that will awaken the bibliophile within each of you!



Stuttgart City Library.


»The Stuttgart City Library by Yi Architects is shaped like a neat little white cube. A central roof lighting illuminates the entire room creating a clean and crisp space where anyone would love to catch up on some reading!



Tianjin Binhai Library.


»The Tianjin Binhai Library designed by MVRDV & TUPDI took the entire architectural world by storm! The 33,700 square meter structure features floor-to-ceiling bookcases that are truly impressive. The bookshelves even create staircases, seating areas and louvers on the facade.




Central Library in Calgary.


»Snøhetta and Dialog’s new Central Library in Calgary, Canada is said to be one of the biggest library systems in North America. In fact, the structure even incorporates a fully functional light rail line. Featuring a glazed exterior with wooden interiors combined with unfinished concrete, the library has a very textured and organic feel to it.



Old Library at Trinity College.


»The Old Library at Trinity College, Dublin was designed by Thomas Burgh. Opened in 1732, the library is a real architectural wonder and a safe haven for readers. In fact, the famous Long Room which houses almost 200,000 books is said to be an inspiration for the Harry Potter movies!




Suzhou No.2 library.


»GMP Architekten designed the Suzhou No.2 library with an intelligent storage system that has the capacity to virtually hold up to seven million books. The exterior structure is meant to resemble a stack of books or sheets of paper. Transparent glazed windows add an ethereal feel to the structure.



Starfield Library.


»The Starfield Library at COEX Mall in Seoul, Korea is one of the most modern libraries with the quintessential floor-to-ceiling bookshelves! Designed by Gensler Architects, the 2500 square meter structure with wooden interiors has a rather warm feel to it.



Rand Hall at Cornell University.


»Wolfgang Tschapeller renovated the infamous Rand Hall at Cornell University, creating the Mui Ho Fine Arts Library with four sections of suspended books stacked one above the other. Seminar rooms, a maker space, a research lab, and digital fabrication shops are included in the space.



Library at the Cologne University.


»Andreas Schüring Architekten recently designed a library for the Cologne University in Germany. Inspired by the concept of order and freedom, the 700 square meter space follows a minimal monochromatic theme. Connected ceiling lighting subtly illuminates the entire space.



Double-height library at a house in Mexico City.


»Located in Mexico City, this house by Pedro Reyes features an impressive double-height library with two levels connected by a rustic concrete staircase. In fact, even the bookshelves have been created from concrete, lending a very organic feel to the space.



France’s National Library.


»Architects Bruno Gaudin and Virginie Brégal renovated what previously used to be France’s National Library. A new technical network was implemented so visitors can easily move from one room to another, but the original classic interiors were maintained as much as possible.»


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